Kevin Roche

The RIAI in association with the National Gallery of Ireland, the Office of Public Works and the Irish Architecture Foundation present a talk by Kevin Roche about his role as an Irish-born Architect in International Practice. The lecture will be held in the Lecture Theatre, National Gallery of Ireland, on Thursday, 2 November 2006 at 6.30pm. This is a public lecture and no places can be booked in advance.

Kevin Roche (born 14th June 1922) was born in Dublin, but grew up in Mitchelstown, Co. Cork, and educated at Rockwell College, before studying architecture at University College Dublin. According to The Irish Times, 'years later, he recalled having to draw acanthus leaves and fluted classical columns as part of the Beaux Arts training then offered by the UCD School of Architecture - at a time when most US students were "taught to distain the past".'

After graduation in 1945, he worked with Michael Scott on the Busáras project. In an interview with Archiseek.com Wilfrid Cantwell who was project lead said that Roche only worked on the design for a short time but contributed to the external appearance of the finished building on the pavilion storey. He joined the practice at the same time as Patrick Scott who was in his class at college, and who had a large role in the project through the design of the mosaic tiling. He left Dublin in 1948 and worked with Maxwell Fry and Jane Drew before he emigrated to the United States to study with Mies van der Rohe.

Instead of returning to Ireland, he got a job with Eero Saarinen (1910-1961) and Associates from 1951 until 1961. Here he worked in the planning department before becoming chief associate in 1956. After Saarinen's death he continued the practice in partnership with the structural engineer John Dinkeloo (1918-1981) under the name Roche and Dinkeloo.

Paul Goldberger, a New York Times architecture critic, described Roche as "one of the most creative designers in glass that the 20th century has produced," and "a brilliantly innovative designer; his work manages to be inventive without ever falling into the trap of excessive theatricality."